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Francesca Woodman, Untitled 1975-80
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"The sun, from the human point of view (in other words, as it is confused with the notion of noon) is the most elevated conception. It is also the most abstract object, since it is impossible to look at it fixedly at that time of day. If we describe the notion of the sun in the mind of one whose weak eyes compel him to emasculate it, that sun must be said to have the poetic meaning of mathematical serenity and spiritual elevation. If on the other hand one obstinately focuses on it, a certain madness is implied, and the notion changes meaning because it is no longer production that appears in light, but refuse or combustion, adequately expressed by the horror emanating from a brillint arc lamp. In practice the scrutinized sun can be identified with a mental ejaculation, foam on the lips, and an epileptic crisis. In the same way that preceding sun (the one not looked at) is perfectly beautiful, the one that is scrutinized can be considered horribly ugly. In mythology, the scrutinized sun is identified with a man who slays a bull (Mithra), with a vulture that eats the liver (Prometheus): in other words, with the man who looks along with the slain bull or the eaten liver.
The Mithraic cult of the sun led to a very widespread religious practice: people stripped in a kind of pit that was covered with a wooden scaffold, on which a priest slashed the throat of a bull; thus they were suddenly doused with hot blood, to the accompaniment of the bull's boisterous struggle and bellowing -- a simple way of reaping the moral benefits of the blinding sun. The same goes for the cock, whose horrible and particularly solar cry always approximates the screams of a slaughter. One might add that the sun has also been mythologically expressed by a man slashing his own throat, as well as by an anthropomorphic being deprived of a head. All this leads one to say that the summit of elevation is in practice confused with a sudden fall of unheard-of violence. The myth of Icarus is particularly expressive from this point of view: it clearly splits the sun in two -- the one that was shining at the moment of Icaru's elevation, and the one that melted the wax, causing failure and a screaming fall when Icarus got too close (...)".
Bataille, "Rotten sun". Visions of excess, 1927-1939
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